Showing posts with label electric guitars. Show all posts
Showing posts with label electric guitars. Show all posts

Parker Fly Mojo - Natural Mahogany Finish with Deluxe Parker Hardshell Case Review

Posted by Sherrie Kearney on Thursday, December 22, 2011

Parker Fly Mojo - Natural Mahogany Finish with Deluxe Parker Hardshell Case
Average Reviews:

(More customer reviews)
My guitar is the Parker Fly Mojo model in clear coat Honduran Mahogany and with the metal flake brown-bronze back. My comments do not apply to any of Parker's bolt-on neck or foreign made guitars - I have only played two and both were in a different league from a set neck, domestically made Fly.

After the odyssey through Fenders, Gibsons, a Rick, and a Hofner, I have been finding myself using this guitar most of all. You should know that I have not gigged in years, I rarely take a guitar out of the house, and I play daily for my own enjoyment and occasionally with a friend, so my preferences and needs may not be the same as yours.

Some real plusses for me:

1.Truly great craftsmanship. The guitars made since Parker sold out are at least as well made as those before. Fit and finish are second to none.

2.Very versatile array of sounds. The Seymour Duncan humbuckers can replicate so many guitars, and the proprietary piezo-tremolo unit works better than any I have used. The piezo sounds a lot like an acoustic guitar that is equipped with a piezo bridge and it would come in handy for those who only want to schlep one guitar to a gig. Using the stereo cord that comes with the fly, and doing what they suggest, playing the humbuckers through your guitar amp and the piezo through the PA, you get a really nice differentiation of electric and acoustic.

3.The way the carbon fiber fretboard reinforces the neck is great. This guitar stays in tune, even with the tremolo unlocked. The fret board is always smooth when doing extreme bends (I just played my Tele with a one-piece cocobolo neck and noticed the difference right away.) Stainless steel frets are a plus for longer wear and are easy to keep shiny, particularly since they came from the factory without needing any dressing.

4.I like Sperzel tuners a lot and have put them on most of my Fenders. This also contributes to staying in tune.

5.The guitar is light at no more than 5 pounds. With many of the most popular guitars weighing in at twice that weight or more, the difference is very noticeable when grabbing it off the stand by the heck from the coach, for example (I do that a lot), or when standing up with it on for a while. I had though that sustain was greatly influenced by the weight of the guitar as physics suggests it should, but I have come to think that rigidity is a much more significant factor in sustain based on my experience with this Fly.

6.The neck is very thin. I like this for `living-room playing' and it can help my speed in reaching for a fret or jumping around the positions on the neck. When people try the Fly they always remark on the thinness of the neck and how `playable' it is compared to their favorite guitars.

7.Balance is tremendous. That long top bout puts the strap button just where is should be to let you take your hand off the neck without fear of the neck nose-diving towards the floor.

8.Visual appeal. Beauty is in the eye of the beholder, but even those who do not relish the design have to admit that it is a great piece of sculpture.

On the not-so-plus side:

1.The case. Although this is a guitar review, since the case comes with it I feel that is is fair game. The case is poor quality, poor design, and flimsy. There are two Parker hard shell cases and I am panning the one with the big "Parker" embossed on the front. There is another Parker HSC with a small "Parker" embossed in the lower left corner of the front and I am thinking that I will get one of those. Parker sells the big logo version on their website; the one I am looking for is available from the big music stores for a little over a hundred.

2.The thin neck. Okay, you're right, I listed this as a plus, too, but I find that my hand can get a little cramped-up when playing long and hard. Otherwise, no problem. I take breaks, and besides, my hand cramps-up sometimes when I'm not playing the Parker.

3.Battery. Although it is easy to get to and swap for a new one, and the piezo requires it, and it's expected to last for over a hundred hours, it seems that I am replacing it more frequently than I should have to; maybe I'm inaccurate on this. A second battery holder might be nice. For now, I just keep a spare in the case (yeah, the case I hate.) When considering new guitars for the collection, I tend to shy away from those requiring a battery; I also have become much fonder of hard-tails - I hardly ever use a tremolo anyway.

4.Slide. This is a poor choice to set-up as a slide guitar. For slide use, I favor the old and heavy solid bodies where the neck is thick and the frets aren't so great any more. Also, I don't like to get myslides (I use the big, thick, heavy brass slides) anywhere near a guitar with a finish I want to preserve. They eventually will take a toll.

I really like this guitar and if it disappeared, I would buy another. If you see one in a music shop, by all means, pick it up and try it. You won't pull any muscles in your arm when you lift it!

Click Here to see more reviews about: Parker Fly Mojo - Natural Mahogany Finish with Deluxe Parker Hardshell Case

Product Description:
A solid mahogany body and neck provide warm resonance to the thick, bold tone generated by genuine Seymour Duncan Jazz and JB pickups. It's light in weight but far from a lightweight, churning out creamy, luscious sounds with enhanced lower mids. Famous Fly playability and comfort is combined with simpler knobs and a more ergonomic control layout, easier-to-use vibrato, improved electronics, carbon glass fretboard, Fishman 6-element piezo system, and Sperzel locking tuners.Includes hardshell case.

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Godin Montrea Chambered & Carved 2-Voice Jazz Guitar (Natural HG) Review

Posted by Sherrie Kearney on Wednesday, December 21, 2011

Godin Montrea Chambered & Carved 2-Voice Jazz Guitar
Average Reviews:

(More customer reviews)
this guitar has nice tone, very good quality for the price range, if i have to choose between Gibson or Godin, i have to pick this one!!
very jazzy/blues sounds especially if you change the stings to 11 or 12 gauge
the acoustic pickup is very useful, you could balance the sound with both electric and acoustic and produce wide variety color.
I would recommend this guitar to anyone!!

Click Here to see more reviews about: Godin Montrea Chambered and Carved 2-Voice Jazz Guitar (Natural HG)

Product Description:
Chambered & Carved 2-voice Jazz Guitar

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Dean Z 79 Guitar, Set Neck, Classic Black Review

Posted by Sherrie Kearney on Friday, December 16, 2011

Dean Z 79 Guitar, Set Neck, Classic Black
Average Reviews:

(More customer reviews)
Don't buy this guitar. Unless you want to be blown away by it's sheer beauty, tone, lightness, and slick playability. When I first took it out of the box all I wanted to do was stare for a long period of time. It's magnificent. And when I played it I was not disappointed. I want more. I want it in white with black binding and another copy of this one for backup. This guitar is my baby. I cant believe its this cheap. Must be a typo.. lol. Actually I take that back. Must be a DEAN!

(p.s. I was actually sorta serious when I said don't buy this guitar because I'm selfish and there are limited quantities and I want them for myself but what the heck. Buy it. Love it. ROck out.

Click Here to see more reviews about: Dean Z 79 Guitar, Set Neck, Classic Black

Product Description:
The Dean '79 Series Z is built to the original specs of the 1979 Deans, boasting a mahogany body with maple top, a set mahogany neck, a pair of Dean zebra humbuckers, Grover tuning machines, and a Tune-o-Matic bridge. Get the vintage tone without the vintage wear and tear, and forget about that boutique price tag.



'79 Series Z at a Glance

    Neck Construction: Set-neck
    Body wood: Mahogany with Flame Maple Top
    Tuners: Grover
    Neck wood: Mahogany
    Fretboard: Rosewood
    Inlays: Abalone Dots
    Frets: 22
    Scale: 24-3/4"
    Bridge: Tune-o-matic with String-thru-body
    Pickups: Two Dean Zebra Humbuckers
    Controls: 2 volume, 1 Tone, Three-way Switch
    Hardware: Chrome
    Finish: Classic Black


Get your wings.


Dean zebra humbuckers, Tune-o-Matic bridge with thru-body design.


The Dean '79 Series
1979 was a great time for Dean Guitars. Some of Rocks' greatest players played Dean to include: Kansas, ZZ Top, Heart, The Doobie Brothers, Triumph,The Cars, Pantera, Iron Maiden, Def Leppard--the list goes on.Dean Guitars builds these beauties to the original specs of the original 1979 Deans, which are now collectibles on the open market. The '79 series uses the Series 2 headstock, larger than the time capsule, and has the same look and feel as their predecessors of the seventies.The '79 series is available in finishes originally offered in the 1979 Dean catalog, including: Cherry Sunburst, Braziliaburst, and Black with white binding--and the prices are just as striking.Mahogany Body with Maple Top
As with the original models, Dean uses a mahogany body for its contemporary '79s.Mahogany is a common choice for electrics, dependably delivering a warm, full tone with plenty of punch and sustain. The maple top focuses the mahogany tone, imparting clarity to your notes/chords, and a little extra high-end bite.Set Neck Construction
The '79 ML features a set mahogany neck, which imparts all the well-known advantages of that style: a warmer overall tone with extended low-end response, wicked sustain, and easy upper-fret access (enhanced even further by the '79s cutaways). The 24-3/4-inch scale neck features a rosewood fingerboard with abalone dot inlays.Dean Humbucker Pickups
To capture the biting tones of vintage Deans, the company includes two of its standard humbuckers, in black-and-white "zebra" style for looks as good as the sounds. And what to expect tonally? These pickups should provide more than enough bite for modern styles, along with plenty of low-end and midrange definition. The standard three-way selector allows bridge, neck, or a combination. Each pickup gets a volume pot, and they share the tone control.Grover Tuners
If you play guitar then you know what this means--solid, dependable tuning from the industry standard. These guitar machines are a triumph in engineering and style, with a gear ratio of 14:1, perfect gear meshing, and zero backlash and slippage. The gear box has a special lubricant for lifetime, trouble-free service.

Tune-o-Matic Bridge
The '79's Tune-o-Matic bridgewith string-thru body design provides even more sustain, along with precise intonation for your tuning preference. The classic v-shaped plate mirrors the headstock wings for some nice vintage Dean style.

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Golden Gate S-93 S Style Guitar Neck (Maple/Unfinished) Review

Posted by Sherrie Kearney on Monday, December 12, 2011

Golden Gate S-93 S Style Guitar Neck
Average Reviews:

(More customer reviews)
Fits S-style neck pocket. Very good frets. Cheap, but servicable truss rod.
No nut. No tuning machines. No coating/finish, but the maple is beautiful without a coating! No blemishes, simply buff it to shine. Get one while you can.

Click Here to see more reviews about: Golden Gate S-93 S Style Guitar Neck (Maple/Unfinished)

Product Description:
Golden Gate S style electric Guitar neck. Each neck is made from select Canadian Maple Unfinished, Maple fingerboard with black dot inlays for S-style guitar (Rounded neck pocket) Pre-fretted with truss rod installed Headstock requires final shaping for that personal touch Holes pre-drilled for tuner installation Scale length: 25-1/2"Width at nut: 1-11/16" Width at 22nd fret position: 2-3/16" Fretboard radius: 12" Fretwire: .040" high x .100" wide Nut slot: 1/8" wide

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SX SST 57 P90 LH VWH Left Handed Guitar Review

Posted by Sherrie Kearney on Saturday, December 3, 2011

SX SST 57 P90 LH VWH Left Handed Guitar
Average Reviews:

(More customer reviews)
I thought it was just the picture that was reversed but in fact the actual guitar was reversed too. Tell me, how can someone play a guitar that is MIRRORED? Such a major design flaw and they decide to ship the product anyway.

Click Here to see more reviews about: SX SST 57 P90 LH VWH Left Handed Guitar

Product Description:
This brand new left handed guitar also features an Ultra-fast Maple fretboard with 21 jumbo frets, Vintage fulcrum bridge with six adjustable saddles, Three-ply pickguard (White, Black, White), D'Addario strings are installed at the factory. Overall length is 39" including the strap button (it's a full size guitar). Scale length is 25.5" Width at the widest point is 13". Width of the neck at the nut: 1 5/8"; at the 22st fret: 2 1/8" Body thickness is 1 3/4".

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Dean V Guitar Review

Posted by Sherrie Kearney on Tuesday, November 29, 2011

Dean V Guitar
Average Reviews:

(More customer reviews)
Bought this guitar because of the price. Then I gave it a Gibson overhaul. Complete with Floyd Rose, Gibson 500 & 496 pick ups & Gibson 67 V pickguard & truss rod cover! Check out the pic I left on Amazon. Sweet guitar.

Click Here to see more reviews about: Dean V Guitar

Product Description:
The Dean White Gold is an elegant axe, with a fully bound mahogany body and neck, Gold Hardware on a white finish (including the cover for the single humbucker), Grover tuners, and pearl block inlays. It keeps it simple with its single pickup and volume control configuration--plug in and let the chords ring out. Ahhh, good as gold.



V White Gold at a Glance

    Neck Construction: Set-neck
    Body wood: Mahogany
    Tuners: Grover
    Neck wood: Mahogany
    Fretboard: Rosewood
    Inlays: Pearl Block
    Frets: 22
    Scale: 24-3/4"
    Bridge: Tune-o-matic with String-thru-body
    Pickups: Dean Humbuckers
    Controls: Volume
    Hardware: Gold
    Finish: White


Dean gold-covered humbucker, Tune-o-Matic bridge with thru-body design.


Get your wings.


Mahogany Body
Dean uses a mahogany body for most of its contemporary guitars.Mahogany is a common choice for electrics, dependably delivering a warm, full tone with plenty of punch and sustain. Plus, it looks sharp all dressed up in white and gold.Set Neck Construction
This V features a set mahogany neck, which imparts all the well-known advantages of that style: a warmer overall tone with extended low-end response, wicked sustain, and easy upper-fret access (not that that's a huge issue in most V-style guitars).
The 24-3/4-inch scale neck features a rosewood fingerboard with pearl block inlays.Dean Humbucker Pickup
To capture the biting tones of vintage Deans, the company includes one of its standard humbuckers in the bridge position. It'll provide more than enough bite for modern styles, along with plenty of low-end and midrange definition.
Electronically, a pickup and volume knob are all you get here, and really, all you need--plug it in and turn it up.Grover Tuners
If you play guitar then you know what this means--solid, dependable tuning from the industry standard. These guitar machines are a triumph in engineering and style, with a gear ratio of 14:1, perfect gear meshing, and zero backlash and slippage. The gear box has a special lubricant for lifetime, trouble-free service.

Tune-o-Matic Bridge
A Tune-o-Matic bridge with string-thru body design provides even more sustain, along with precise intonation for your tuning preference. The classic v-shaped plate mirrors the headstock wings for some nice vintage Dean style.

Buy NowGet 40% OFF

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Gibson Les Paul Studio Electric Guitar, Silverburst Chrome Hardware Review

Posted by Sherrie Kearney on Tuesday, November 8, 2011

Gibson Les Paul Studio Electric Guitar, Silverburst Chrome Hardware
Average Reviews:

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what a fine instrument and the 498T pup in the bridge along with the coil tap knobs really make this axe special besides it's killer looks. finally a Les Paul that looks cool enough to not be like the old fart Gibsons that Lynyrd Skynyrd and all the old men play.heavy kudos!!i grabbed mine just before the great Nashville flood so i got a great deal. looks like everyone will be short on these and SGs regarding supply after august/sept. since production doesn't resume until august 15th.

Click Here to see more reviews about: Gibson Les Paul Studio Electric Guitar, Silverburst Chrome Hardware

Product Description:
The Gibson Les Paul Studio Electric Guitar has become one of the most desired Les Paul guitars for its tremendous harmonic and sonic capacities. The studio guitar is coveted by musicians from all genres of music and offers Les Paul performance with a modern, no-frills attitude. This Silverburst edition is lighter weight and offers a distinct look and modern features. The Les Paul Studio guitar marries a lightweight chambered mahogany back to a maple top. The mahogany set neck has a 22-fret fingerboard that is constructed from high-grade ebony. The resilience of this dense and durable wood makes the fingerboard extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. The flatter 12" fingerboard radius promotes smooth note bending and eliminates dead or choked out notes-a common occurrence on rounder, smaller radius fingerboards. The Les Paul Studio guitar's '60s neck profile is slim tapered emulating the neck shapes of the 1960 Les Paul Standard.The Les Paul Studio Guitar shares the same quality electronics as some of its more expensive siblings. The Gibson 490R pickup has the tonal characteristics of an original PAF, but with a slight increase in upper mid-range response. The Gibson 498T bridge pickup is the 490 pickup's ideal complement. Taking the 490 one step further, the 498 swaps the Alnico II magnet with an Alnico V, thus making it a slightly hotter pickup with emphasis on mid-ranges and highs. The pole pieces on the 498T are also aligned a little further apart to accommodate the spacing of the strings at the bridge. Both pickups can be split via push/pull volume controls.

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