Average Reviews:
(More customer reviews)Fast shipping.Excellent sound although the finish on higher models is better if youre into that. Just a no nonsense guitar that sounds great and looks okay.You can spend hundreds more for the same guitar with a better finish in the 200 series.
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Taylor Guitars 110e, Dreadnought, Solid Sitka Spruce, Sapele Back/Sides, ES-TProduct Description: The 110e's full-voiced tone can now be amplified with the Taylor ES-T transducer pickup. This solid spruce top Dreadnought truly delivers the Taylor experience.
Taylor 110e Specs
Type/Shape: 6-String Dreadnought
Back & Sides: Sapele Laminate
Top: Sitka Spruce
Soundhole Rosette: Plastic
Neck: Sapele
Fretboard: Ebony
Fretboard Inlay: Pearloid Dots
Headstock Overlay: Indian Rosewood
Binding: Black
Bridge: Ebony
Nut & Saddle: Tusq
Tuning Machines: Enclosed, Die-Cast Chrome Plated
Scale Length: 25 1/2 Inches
Truss Rod: Adjustable
Neck Width at Nut: 1 11/16 Inches
Number of Frets: 20
Fretboard Radius: 15 Inches
Bracing: X-Brace
Finish: Varnish
Color: Natural
Electronics: Taylor ES-T
Body Width: 16 Inches
Body Depth: 4 5/8 Inches
Body Length: 20 Inches
Overall Length: 41 Inches
Loud and robust Sapele Laminate back/sides. Classic pearloid dot inlays. ES-T pickup onboard. The Taylor 100 Series Tone and playability are hallmarks of Taylor guitars, and you'll find the 100 Series delivers plenty of each. Sporting a solid Sitka spruce top and sapele laminate back and sides, the redesigned 100 Series now features both Dreadnought and Grand Auditorium shapes, along with cutaway and Taylor electronics options. Value, yes. Compromise, no.
Sitka Spruce Top Sitka Spruce (Picea sitchensis) grows in a coastal "pocket" from Northern California to Alaska. This dense, straight-grained wood has the highest strength and elasticity-to-weight ratio among available tonewoods, an attribute that makes it an ideal material not only for our soundboards, but for our internal bracing, as well. Sitka produces a slightly brighter tone than does Engelmann.
Sapele Laminate Back/SidesThis exceptional, mahogany-like wood grows throughout the tropical rain forests of Nigeria and the Ivory Coast of Africa. Ever since we introduced it in 1998, its legion of fans has grown exponentially. As a tonewood, it's denser and harder than mahogany, so it has a crisper, clearer, brighter, "pop"-ier sound than its more familiar counterpart. Loud and robust, with a lovely ribboned grain, sapele has been used by Spanish guitar makers for many years.
Varnish FinishA durable varnish finish offers protection, good looks, and a smooth feel to the touch. The spruce top's beauty shines right through.
Dreadnought Body ShapeThe original Dreadnought acoustic guitar appeared early in the 20th Century, and its no-frills, no-nonsense shape made it a logical namesake of the huge battleships of that day. Most subsequent Dreadnoughts, including Taylor's, have been derivative of that early design. In 1997, however, Bob Taylor re-designed the Taylor Dreadnought by softening the curves at the top and bottom and generally refining its overall shape. In 2003, gloss-finish Dreadnoughts also underwent bracing refinements that substantially increased their overall volume and bass response, without sacrificing Taylor's signature balance and clarity. Dreadnought six-strings shine as "plectrum" or "rhythm" guitars because they respond well to flatpicking or light-to-heavy strumming.
ES-T Pickup Inspired by Taylor's Expression System technology, the Expression System Transducer, or ES-T, is a single-source, under-saddle transducer with individual elements for each string. (The ES-T was originally called the ES Element, but the name was changed to avoid confusion with another product.) The ES-T has an onboard preamp and the same active controls found on the full Expression System. Featuring a custom-voiced EQ and dynamic response, the system is powered by a 9-volt battery, with a battery life LED power indicator (which is lit when the battery is being used). The pickup also has a Phase switch for feedback control, which is located on the preamp board inside the soundhole.
Chrome-Plate Tuners Taylor Tuners continue the industry-leading 18:1 gear ratio that they've been using, yet yield even greater precision with the help of a manufacturing process that employs the same gear-cutting machines used by Swiss watchmakers. The more precisely-machined gears virtually eliminate the slight "slop", or slack, typical among tuners, which makes it even easier for Taylor owners to get--and stay--in tune. Taylor Tuners also feature an elegant aesthetic touch, with the Taylor logo cleanly etched on the back.
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