Showing posts with label epiphone lespaul. Show all posts
Showing posts with label epiphone lespaul. Show all posts

Epiphone Prophecy Futura Custom FX (Floyd, EMG-81/85 Pickups) Review

Posted by Sherrie Kearney on Saturday, December 24, 2011

Epiphone Prophecy Futura Custom FX
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I'll be honest. I don't think this guitar is for everyone. Other than receiving the actual guitar in a mess (de-tuned, very very very low action, ridiculous unplayable buzzing and offset bridge etc, etc....don't worry... did not buy it from this particular seller XD), After i got it fixed, it played excellent. I can't judge it too harshly because i've been playing a jackson rr-3 for 2 years, and the floyd rose on thatparticular model of guitar is completely flush with the body, and i know most floyds are not, but rather raised, above the body. Also, the pick-ups are a bit too close together for my liking, and i have a really hard time getting harmonics out of the g-string, but that's just my experience, and i would say 'because of that' but i really don't know if that's the cause. And of course it's about twice the weight of an rr3 so you get a bit sore after a while, but i can't complain about that. Other than that, it has a nice fast neck, reasonably slim, plays nice, but pick-ups seem a bit over-responsive.

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Product Description:
The Epiphone Prophecy Collection, created by popular demand for serious shredding and killer appearance,offers true dive-bomb bliss with the Futura Custom FX with Original Floyd Rose™ Tremolo system.This sleeker-sister to the Explorer design is crafted of a Mahogany body with a deep treble cutaway thatgives you high access to all24 jumbo frets ona super-fast SlimTaper™ set, Mahogany neck with full binding and luxrious, Ebony Fingerboard with exclusive "blade" inlay.Its shredable tone comes from active EMG 81 & 85 Humbucker pickups. The intimidating look features with a quilted Maple top under a translucent Midnight Ebony finish. Hardware includes blacked-out Epiphone strap locks, attractive Pearl-top control knobs, dependable Grover™ machine heads and an Original Floyd Rose™ Tremolo system.

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Epiphone Les Paul Studio, Alpine White Review

Posted by Sherrie Kearney on Tuesday, December 6, 2011

Epiphone Les Paul Studio, Alpine White
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I bought mine over 2 weeks ago at Guitar center and was struck by theAlpine White color, which I found out was a Custon Shop limited edition. When I got it home, I noticed that it wouldn't stay in tune and that was due to the fact that it wasn't set up properly upon the leaving the factory in China, contrary to what the inspection label on the back of the headstock says. The intonation, along with the string and pickup height, were in need of adjustment and once I took care of those problems, I was amazed at how well this guitar sounded and how great it stayed in tune. The rest of the guitar from the frets to the electronics, seems to be very well built, but I would've preferred block inlays instead of the dot ones on the neck. Other than that,there was nothing that I could find wrong with this guitar at all. This is a very reasonably priced instrument for the beginner and advanced musician as far as I'm concerned, and I'm speaking from over 36 years of playing. This is a welcome alternative for those of us who can't afford the outrageous prices for the US made Gibsons, and seeing that Epiphone is owned by them, you really more or less have the same thing, just made in a different country, that's all! Great guitar for a great price!

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Product Description:
The original idea for the Epiphone Les Paul Studio Electric Guitar was to create a somewhat lower-priced Paul by dispensing with some cosmetics. The result was an especially clean, handsome guitar with all the Les Paul essentials. Newly designed in 2004, the Studio now has a thicker body that matches its namesake, hot open-coil humbuckers, a set mahogany neck, rosewood fingerboard, and mahogany body with carved top. Alpine White finish. The LockTone stopbar tailpiece and Tune-O-Matic bridge provide great sustain and tone, and make string changing easier. Limited lifetime warranty.

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Epiphone Limited Edition Les Paul Custom, Silverburst Review

Posted by Sherrie Kearney on Tuesday, November 22, 2011

Epiphone Limited Edition Les Paul Custom, Silverburst
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I bought this guitar, first and foremost, because I am a huge Tool fan and I love the look of of Adam's Gibson Silverburst. Secondly, I love the look, feel and sound of the Les Paul Studio (although technically this is a Les Paul Custom, but its still a Studio design). Also I very much prefer the tone switch to be in the location it is on LP studios.

That being said, You should know that this guitar is among the higher end Epiphone LPs. I also own another Epi LP Studio, a cheaper model, which I can tell you has much less attention to detail. It's still a good guitar because it has it has great tone at a low cost, but the look of it isnt that sharp. The finish on those guitars isnt as nice as what you get here with the Silverburst. You may have heard horror stories about the frets popping out on those low cost Epi LPs but that has never happened on mine.

But Back to the Silverburst... The look of this guitar is stunning. The paint job and finish is excellent, really slick from bottom to top, front to back. The chrome hardware looks great too and seems to be really good quality... not just a cheap chrome finish on some mystery metal or something. The inlay on the fretboard and headstock are great too, very shimmery and marbley (if those are words).

In terms of hardware; The pickups sound great. Lots of tonal color and good harmonic response. I have noticed I have to crank my amp up a bit to get good feedback, but thats sort of the nature of feedback. The tone switch is well built, as in it stays put and doesnt wobble about. I've seen tone switches that basically unscrew during use to the point where they are at a 30-45 degree angle from their orignial position. This doesnt happen on this guitar. The switch itself does pop a tiny bit when switching between pickups... I dont mind it that much, but its worth saying. The frets are more rounded and stick out from the finger board more than a Gibson would. This can become an issue if you really push hard on the string because you can push the note from in-tune to sharp without really "bending" the string. This isnt an issue unique to this guitar, from what i've seen this is fairly common-place with all Epiphones. It doesnt really become a problem unless you are strangling the neck. The action out of the box is set a bit high; To the point where as you move up on the neck the notes tend to go sharp, which basically destroys any chords you play past the 12th fret. All i had to do was lower the action to resolve this problem. Even with that, i notice no fret buzzing anywhereon the guitar. The tuners work great... they ARE Grover tuners. I have no complaints with there. My biggest complaint with this guitar is the Nut (this was an issue with my other LP Studio too and is a common issue with lots of guitars that havent been customized). It grabs and can make tuning a real pain. This issue has improved somewhat since I bought the guitar, probably because with play and repeated tunings the strings have likely filed the nut a little bit. There are many solutions to this problem however; file the nut down yourself, buy some graphite and rub it in the nut under the strings, or you can actually use the graphite "lead" from pencils, or you can actually replace the nut with a graphite nut. Graphite essentially acts as a lubricant which stops the strings from binding... it has to do with the atomic structure of graphite, it doesnt take lateral tension very well. Idealy, apart from replacing the nut, a combination of these solutions is best.

Now the big question, Tone; I will keep this short and sweet. I like a wide variety of tone in the music I play. Depending on your amp and effects setup you can greatly effect the tone coming from the guitar. This guitar is heavy and has a really thick rich tone. Most LP's do. If you are after that Gibson sound, you've got it here. I've sized this guitar up with Gibson LPs and its up to par for sure. I've played this guitar and a Gibson LP back to back on the same amp with the same effects and settings and I saw no real noticiable change in tone. Tool songs sound perfect on this guitar, as do cleaner, bluesier tones. Lighter tones are certainly attainable on this guitar as well... but just about any tone is possible these days with all the electronic weaponry out there. Another thing I would like to mention is that this guitar has no buzz AT ALL. It's really well built in that respect, everything is grounded. You can play loud and when you stop the strings, its quiet(provided you havent cranked the amp so high you get feedback from nothing). Getting back to that Epi vs Gibson tone arguement though; It's worth saying that my dad owns 3 Gibsons (2 Electric - a LP Recording and a Firebird, and 1 acoustic) and he recently bought an Epiphone Flying V and right now, THAT guitar is his pride and joy.

All in all, If you are looking for a quality Gibson sound at an affordable price, Epiphone is the way to go. More specifically, If you are after an Epi LP; while I have no complaints with tone and no significant complaints in construction of the cheaper Epi LPs... I would definitely recommend going with one from their Les Paul Custom line (which is what the Silverburst falls under). They are about double the cost, but the attention to detail is palpable. If you can put down a few hundred extra, go for it. Get a guitar like this. And narrowing the scope even further, if you are like me and you love Tool, really like LPs, love that silverburst paintjob and are on a limited budget... then look no further, you found your guitar. The only thing I would recommend is to try to buy it below $[...]. I've seen them range from $[...], so do some looking around.

Click Here to see more reviews about: Epiphone Limited Edition Les Paul Custom, Silverburst

Product Description:
With the same vaunted visual vibe of the original, this Epiphone Limited Edition Les Paul has all the fixin's - 5-ply top, back, and headstock binding; bound rosewood fretboard; split diamond mother-of-pearl headstock inlay; and 4-ply pickguard. Dual humbuckers on an alder top with mahogany back and set neck.

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Epiphone LP Studio Les Paul Collection Electric Guitar, Worn Cherry Review

Posted by Sherrie Kearney on Monday, October 31, 2011

Epiphone LP Studio Les Paul Collection Electric Guitar, Worn Cherry
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The Epi worn cherry guitar is a very well crafted instrument.Great for playing the blues but can jam with any musical styles.The sustain is amazing.Looks good,sounds good,plays good and,you can't beat the price.

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Product Description:
If you want all the Les Paul tone and goodies, but not all the frills, or you just like the clean look of no binding, then the Epiphone Worn Les Paul Studio is perfect for you.This Studio features a satin Worn Cherry or Worn Brown finish on the carved-top Mahogany bodywith a set, Mahogany neck for true LP sustain with Rosewood fingerboard.Fantastic, vintage tone comes from twohigh-output Alnico Classic Humbuckers, each with its own volume and tone controls driven by heavy duty pots to match our exclusive toggle switch and output jack to faithfully convey maximum Les Paul tone. Speaking of tone, this guitar pumps more tone and sustain with the Epiphone LockTone™ locking Tune-o-matic bridge and Stop-bar tailpiece. It's everything you need in a Les Paul and nothin' you don't!

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Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Midnight Ebony Review

Posted by Sherrie Kearney on Thursday, October 20, 2011

Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Midnight Ebony
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I love the sound of a Les Paul, but I refused to buy one because having been a Strat player for years, I just felt that LP's were uncomfortable to play. This Les Paul addresses the two major factors in why a traditional LP is uncomfortable:

#1, Weight. Ever pick up a real LP? They weight a ton and by the end of a show, your shoulder and lower back are killing you. This thing is super light! The acoustic chambers make it essentially a hollow-body. I'm not sure what the actual weight is, but it's significantly lighter than a solid body LP, but sounds the same (actually better with the piezo).

#2, Body Contours. I don't have a huge belly, but the sharp corners on regular LP's cut into my gut and just aren't comfortable. This guy has a nice body contour in it, so it's really quite comfortable.

The neck has some kind of radical "satin" finish on it that is LIGHTNING fast to play on. It's almost like a rough finish, but it's great because your hand doesn't stick to it like it would to a traditional painted finish. You just have to try it.

This thing has that LP growl that all guitar players associate with a LP. The humbuckers are phenomenal!! In my band, we play classic rock covers with a few heavier tunes thrown in. I figured this guitar would fit right in with some of the more "mild" songs, and songs that were recorded on a LP. "Hold On Loosely", "Deuce", "Life In The Fast Lane", and a couple of Journey tunes... stuff like that. This guitar certainly covers those styles perfectly. But wait... The first time I took this to practice, we started playing "Man In The Box" with a heavy overdrive, and when I hit an artificial harmonic in "G" on the low "E" string... O-M-G!!! The rest of the band members jaws all dropped and they commented that this guitar screamed like a Zakk Wylde. It's VERY responsive!! Then I dialed it back, and tried out the piezo acoustic pickup for our rendition of "Comfortably Numb". I know, shudder at the thought of playing a LP for a Pink Floyd song... The piezo acoustic sound was absolutely incredible, but then when I turned the piezo down and the humbuckers back on for the solo's, it filled the bill again!
This guitar will get you pretty much ANY tone you want (except for the buzz of a single coil). All I can say is, try it!!

There are only 2 things I don't like about this guitar, hence the 4-stars. While the body is light, the headstock isn't, and it tends to pull on the shoulder. It's just not very well balanced, so it takes some getting used to. Also, it's still tough to get to the higher frets just like any LP.

Otherwise, you get the killer LP sound with the added bonus of an acoustic, and the unexpected bonus of COMFORT! This guitar is well worth the price and I'd say it's essential to any collection. You can cover so much ground with it!

Click Here to see more reviews about: Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Midnight Ebony

Product Description:
Most guitar experts would agree, it's really, really, really hard to improve on the Les Paul Model. In over 50 years, the master's design is unbeatable. However, we took a cool concept for a lighter version, our Ultra II and played up to it's surprising acoustic bonus properties by adding a Shadow NanoMag pickup system. We embedded the small, powerful, device into the actual end of the fretboard, right at the sweet spot for grabbing rich, acoustic harmonics. We also added the versatility of stereo output, and altogether, yeilding one of the most incredible, award-winning Les Paul models ever. The Epiphone Les Paul Ultra II, with internal chambers making it three pounds lighter than an average LP, still sounds like you'd expect the "King of Solidbodies" to sound with Humbuckers engaged. The comfortable contour on the back is also a plus. The carved Mahagany body features a Quilted Maple top with a set, Mahogany neck with Rosewood fingerboard and is voiced bya pair ofhigh-output Alnico Classic Humbuckers, and the Shadow NanoMag system. Add Gold Grover™ tuners, and our newEpiphone LockTone™ locking Tune-o-matic bridge and Stop-bar tailpiece for even more sustain and unparalleled versatile tone.

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Epiphone LP Standard Plus-Top Les Paul Collection Electric Guitar, Heritage Cherryburst Review

Posted by Sherrie Kearney on Thursday, September 29, 2011

Epiphone LP Standard Plus-Top Les Paul Collection Electric Guitar, Heritage Cherryburst
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I bought my Epiphone Les Paul Standard a little over 4 years ago, and it's been my main guitar ever since! If you're looking for the essentials of a Les Paul but for a fraction of the price of a Gibson (not to mention the weight...your shoulders and back will love you for it!), you just can't beat an Epiphone!

I've heard many times from other musicians I've talked to that an Epiphone Les Paul is not a "real" Gibson, it's a Les Paul "copy", etc. These couldn't be any further from the truth.Epiphone is a Gibson company and they use all Gibson manufactured pickups, electronics and hardware. The chief difference between Gibsons and Epiphones is where they're manufactured; Gibsons are assembled in Nashville and Epiphones in Korea. Both are constructed with mahogany bodies and rosewood fretboards, but the only other difference is that Gibson uses AA grade or higher maple for the tops and necks and Epiphone uses mahogany for the necks and alder for the tops.

Many players believe that heavier woods makes a difference in the tone, and in some instances, that's true. But I've played a Gibson LP Standard and an Epiphone LP Standard back to back through the same amp and I heard virtually no difference in the tone. The only thing different between the two was the weight, that's all. The Epiphone was lighter and easier to play sitting down and especially standing, and to me, it sounded every bit as good as the Gibson played both clean and "dirty" (distorted).

In my band, I play my Epiphone through a 100-watt Marshall combo amp; with the main settings on the amp all set on 5 and miked up through the PA, the sound is incredible; if you're up close to the stage, it'll take your head off! I'm not knocking Gibsons at all; I owned one myself once before and loved it. They're nice guitars and worth owning one if you've got the bread to buy it. But if you're on a "budget" like most people, I say dare to compare and simply let your ears be your guide; strap on an Epiphone, crank it up and just let it rip...I guarantee you'll love it!

Click Here to see more reviews about: Epiphone LP Standard Plus-Top Les Paul Collection Electric Guitar, Heritage Cherryburst

Product Description:
This is the undisputed King of Solidbody Electric guitars with a reign spanning sixdecades. The Epiphone Les Paul Standard Plus-Top is an eventual must for a guitarist's collection, because this model lives up to its imposing reputation for unmatched tone and sustain. Legendary guitarist and inventor Les Paul lends his signature to every real Les Paul guitar, authenticating his soveriegn design standards, so you know you are getting "the real thing".From the tone-rich, bound, Mahogany body with beautiful Flame Maple top to the set, Mahogany neck and Rosewood fingerboard with traditional trapezoid inlays, to the rich, vintage tone provided by a pair ofhigh-output Alnico Classic Humbuckers, this guitar is the standard for all others. It also features Chrome hardware, Grover™ tuners, withour newEpiphone LockTone™ locking Tune-o-matic bridge and Stop-bar tailpiece that gives you even more sustain and lasting Les Paul warm tone that you dream about.

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Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst Review

Posted by Sherrie Kearney on Saturday, July 16, 2011

Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst
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The Les Paul Ultra-II is a different beast. This is the original ultra, i purchased one two Augusts ago with a little maintenance it has defeated many of my other pricey guitars.

The sound is a bit murky like fellow Les Pauls before it, you can assume though a nice hard driven rock sound, and a cutting edge solo tone. The treble and rhythm feature such a strong contrast against each other. The rhythm sounds good enough to be used onclean channel unlike many other Les Pauls. The gold alnico humbuckers and tuning pegs really add to a nicer interpretation along with the stylized burst scattered body.

The guitars strap peg may fall out entirely, easy to fix. With multiple sessions put down on this guitar i find no reason why not to buy it, it endures well and plays as well as it endures! I own eight guitars (some even being the elusive Stevie Ray Vaughan sig Fender, Zakk Wylde Gibson LP, Ibanez RG, Another Epi LP ect), and have played with many guitarists/musicians. They all note how well this guitar performs.

Althought it's not for sale currently i recommend you search a Guitar Center, you can find one around 500$ or less. This Epi competes well beyond the degrees of fellow higher companioned Gibson.

Click Here to see more reviews about: Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst

Product Description:

Improving Perfection: Epiphone's Les Paul Ultra-II Electric Guitar

Most guitar experts would agree, it's really, really, really hard to improve on the Les Paul Model. In over 50 years, the master's design is unbeatable. However, Epiphone took a cool concept for a lighter version, the Ultra II, and played up to it's surprising acoustic bonus properties by adding a Shadow NanoMag pickup system.

Epiphone embedded the small, powerful, device into the actual end of the fretboard, right at the sweet spot for grabbing rich, acoustic harmonics. We also added the versatility of stereo output, and altogether, yeilding one of the most incredible, award-winning Les Paul models ever. The Epiphone Les Paul Ultra II, with internal chambers making it three pounds lighter than an average LP, still sounds like you'd expect the "King of Solidbodies" to sound with Humbuckers engaged. The comfortable contour on the back is also a plus.

Features of the Epiphone Les Paul Ultra II
The carved mahogany body features a quilted maple top with a set, mahogany neck with Rosewood fingerboard and is voiced bya pair ofhigh-output alnico classic humbuckers, and the Shadow NanoMag system. Add Gold Grover tuners, and the newEpiphone LockTone locking tune-o-matic bridge and Stop-bar tailpiece for even more sustain and unparalleled versatile tone.

Based on the Les Paul Ultra, the Ultra-II adds a NanoMag low-impedance pickup embedded into the fingerboard and custom electronics to create a Les Paul that is not only capable of blistering, electric guitar riffs but also shimmering acoustic-like tones.

The Story Behind the Les Paul Ultra and the Ultra II
Epiphone has a habit of starting revolutions. In 2005, when most people said it couldn't be done, the worlds favorite luthier said that, yes, it could, and invented the first Les Paul to feature a chambered body, giving smaller guitarists the chance the enjoy killer LP tone and sustain. That model was the Les Paul Ultra.

Now Epiphone is doing it all over again, as the original Les Paul Ultra is joined by its younger brother, the new Ultra-II. You might not be surprised at the name. But when you check out this groundbreaking hybrid model, you won't believe what Epiphone has done.

The Les Paul Ultra II is Lightweight
Some things haven't changed. Like the original Ultra, the Ultra-II features a chambered mahogany body topped with a quilted maple cap, meaning thatit weights far less than a Les Paul Standard while offering the same timeless tone and endless sustain--but that's not the reason why the new Ultra-II is set to steal the show.

Unlock Shimmering Acoustic Tones with the LP Ultra II The real revolution comes from the Ultra-II's pairing of twin Alnico Classic humbuckers (which supply the beefy electric tone that has always been the Les Paul's calling card) and a fingerboard-mounted Nanomag pickup (with dedicated tone controls and output jack) that lets guitarists unlock shimmering acoustic tones on the stage and in the studio.

Whether you're playing clean fingerpicked passages or digging in with the pick, this revolutionary hybrid model has it covered.

What They're Saying About the Epiphone Les Paul Ultra II

"I am extremely happy about the new Ultra-II. I've never liked a lot of complex sound choices, especially on stage, but this build is just as versatile without being confusing. There are 5 or 6 sounds I can switch between in the course of one song and itreally bridges the gap between acoustic and electric. That is especially great for me as I usually have to choose between one or the other on a song by song basis. This guitar is awesome!"
Nancy Wilson, Heart

"The NanoMag acoustic pickup, specifically, is a marvel that breathes new life into one ofthe oldest and most cherished electric guitar designs. It integrates so well that I'd like to see it as a standard option on all Les Pauls."
Eric Kirkland, Guitar World Magazine

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